Human Connections in Fahrenheit - words | Study Guides and Book Summaries
The human relationships in Fahrenheit are often analyzed and discussed. actually have a connection are: Montag and Clarisse, and Montag and Faber. The relationship between Clarisse and Montag is also a good way for the reader . Why did Faber's fear dissipate when Montag was standing outside his door?. Fahrenheit Comprehension Questions. Directions: Use How does the author describe the girl that Montag meets near his home? What is her representative of Montag and Mildred's relationship? What is the question Montag calls Faber to ask him? How does What takes place between Montag and Beatty?.
She is completely engrossed in her TV and has shut out reality. What has happened to Clarisse? HOw did it happen? Mildred told Montag that Clarisse had died in a car accident. At this point MOntag doesn't know whether the accident was meant on purpose or if it had rather happened by chance.
What is unusual about the way Mildred told Montag about Clarisse? MIldred had known about Clarisse's death four days prior to when she informed MOntag abou tit. Also, her excuse to why she hadn't told him earlier was the fact that she had forgot.
In our society today the idea of forgetting the fact that a friend of neighbor died is practically impossible. We see here that MIldred has absolutely no feeling or emotions whatsoever. Her music device wall TVs have boxe her in and brainwashed her completely. They contain great truths about our world. List three things Beatty talks about in his speech to MOntag that are true about our world.
Beatty tells Montag that books and manuscripts have been condensed over time His statement has proven to be correct in our society today. Now the internet has provided us with the abiility to publish condensed versions and summaries of lengthy novels. Also, Beatty states that there are more minorities in a larger population. Finally, Beatty states that censorship increased as time passes. This can directly be correlated to our society today as censorship of the government has increased to advancements in technology.
The inteternet has been one of the main reasons that censorship has increased. Professor Faber thought it was a trap because he thought the phone line might have been tapped. He believed that other fireman might record what he was saying on the phone and then use that to incriminate him.
Why did Faber's fear dissipate when Montag was standing outside his door?
Faber's fear dissipated as he saw that no other fireman was with Montag. He had some trust in Montag as they had met before in the park and talked so he was only slightly hesitant to open the door. Also, he saw that Montag carried a book and that proved to him that Montag had good intentions if he didn't have the book that would have proved that he might have been in league with the government.
What did Montag want from Faber? Montag wants help comprehending the hidden messages in books. He wants someone to listen and understand how he feels and to help him understand the importance and significance of books in a society.
Also, Montag wanted Faber to help him reintroduce books to the world and his society. Did Faber remind Montag that people who are having fun are reluctant to become rebels?
Yes, Faber did do so.
People who enjoy themselves are reluctant to become rebels as that would change the system that currently brings them so much happiness and joy. In fear of resurrecting or rather introducing a system with many failings that would hurt them, people have not rebelled against the sytem that they are currently under.
How did Montag finally get Faber to consider really helping him? Initially Faber was extremely reluctant to assist Montag in his quest to reintroduce books to his society. However, once Montag started ripping up the Bible he had brought, Faber was so distraught at the fact that one of the last of the Bibles was being destroyed before hsi eyes that he decided to help Montag. How did the Queen Bee analogy underscore Faber's cowardice?
Faber claimed that his character was similar to that of a queen bee. Similarly, he would sit in his house and send out worker bees Montag in this case to carry out his orders. Montag would be in charge of doing the dangerous work by venturing into the society while Faber would us a headset-like device to monitor Montag's progress. Also, even if Montag was killed, Faber's location would not be disclosed.
Therefore, Faber can be compared to a coward since he is unwilling to venture out and perform the potentially fatal work himself. Professor Faber gave Montag an earpiece that resembled a small green bullet, so he could talk to Montag and listen in on whatever Montag hears.
This way, Faber can sit safely at his home while Montag interacts with the outside world. Montag also gives Faber the last copy of the Bible to keep it safe. It denotes a token of trust between Montag and Faber. What is the volcano's mouth? The volcano's mouth represents the living room with the "Parlor walls. People in the society, including Mildred, Mrs. Bowles, would reside in the parlor for hours at a time, mindlessly staring at the bright, colorful walls.
No one would talk to each other about social topics. They would only respond to the pictures on the wall witlessly. Also, the bright red and orange explosions of color on the walls also serve to depict that the parlor is similar to a volcano's mouth. Montag pulled the plug on the living room fish bowl.
In reality, MOntag pulled the plug on the electronic "parlor walls", not a fish bowl. The walls met to resemble a giant fishbowl in the living room, but there was never really a fish bowl in the room. Yes, this is true. He wanted Montag to be more careful about reading because he was worried Montag would blow their cover. Which lady was affected by the original intent of the poetry? Phelps was affected the most by the poem because she started crying after Montag was finished reading.
However, at first Mrs. Bowles was very afraid to be read poetry while Mrs. Phelps encouraged Montag to read some. True or False In the late hours of the night, Faber refused to console Montag for foolishly reading poetry to the poor, silly women.
No, this is false. Faber did indeed provide some comfort for Montag. He stated that he was always there to support Montag and that Montag should never give up with his dream to restore books to their rightful place in the world.
Listening to Beatty play his harp and needle had what effect on Montag? When captain Beatty played the "hard and needle" to Montag, he was playing around with Montag. As he turns the flamethrower on Beatty, who collapses to the pavement like a "charred wax doll," you can note the superb poetic justice in this action. Beatty always preached to Montag that fire was the solution to everyone's problems "Don't face a problem, burn it," Beatty told him and Beatty, himself, is burned as a solution to Montag's problem.
Note once again, that in describing Beatty's death, Bradbury uses the image of a wax doll. The imagery of the wax doll is thus used in Fahrenheit to describe both Beatty and Millie. By using this comparison, Bradbury shows that Beatty and Millie do not appear to be living things; they fit the mold made by a dystopian society. As a result, Beatty is charred and destroyed by the fire that gave purpose and direction to his own life.
Although Montag, who is now a fugitive, feels justified in his actions, he curses himself for taking these violent actions to such an extreme. His discontent shows that he is not a vicious killer, but a man with a conscience. While Montag stumbles down the alley, a sudden and awesome recognition stops him cold in his tracks: Beatty had wanted to die. He had just stood there, not really trying to save himself, just stood there, joking, needling, thought Montag, and the thought was enough to stifle his sobbing and let him pause for air.
Montag suddenly sees that, although he always assumed that all firemen were happy, he has no right to make this assumption any longer. Although Beatty seemed the most severe critic of books, he, in fact, thought that outlawing individual thinking and putting a premium on conformity stifled a society. Beatty was a man who understood his own compromised morality and who privately admired the conviction of people like Montag. In a strange way, Beatty wanted to commit suicide but was evidently too cowardly to carry it out.Fahrenheit 451 - Part 3 (Montag Goes on the Run) - Summary and Analysis - Ray Bradbury
Bradbury illustrates the general unhappiness and despondency of certain members of society three times before Beatty's incident: Millie's near-suicide with the overdose of sleeping pills; the oblique reference to the fireman in Seattle, who "purposely set a Mechanical Hound to his own chemical complex and let it loose"; and the unidentified woman who chose immolation along with her books. People in Montag's society are simply not happy. Their desire for death reflects a social malaise of meaningless and purposelessness.
When war is finally declared, the hint of doom, which has been looming on the horizon during the entire novel, now reaches a climax. This new development serves as another parallel to the situation in which Montag finds himself.
Montag sees his former life fall apart as the city around him faces a battle in which it will also be destroyed. As Montag runs, his wounded leg feels like a "chunk of burnt pine log" that he is forced to carry "as a penance for some obscure sin.
The penance Montag must pay is the result of all his years of destruction as a fireman. Even though the pain in his leg is excruciating, he must overcome even more daunting obstacles before he achieves redemption. Unexpectedly, the seemingly simple task of crossing the boulevard proves to be his next obstacle. The "beetles" travel at such high speeds that they are likened to bullets fired from invisible rifles. Bradbury enlists fire imagery to describe these beetles: Their headlights seem to burn Montag's cheeks, and as one of their lights bears down on him, it seems like "a torch hurtling upon him.
In choosing to flee to St. Louis to find an old printer friend, Faber also places his life in jeopardy to ensure the immortality of books. Montag imagines his manhunt as a "game," then as a "circus" that "must go on," and finally as a "one-man carnival. When Montag escapes to the river, the imagery of water, a traditional symbol of regeneration and renewal and, for Carl Jung, transformationcoupled with Montag's dressing in Faber's clothes, suggests that Montag's tale of transformation is complete.
He has shed his past life and is now a new person with a new meaning in life. His time spent in the water, accompanied by the escape from the city, serves as an epiphany for Montag's spirit: He thinks about his dual roles as man and fireman. While floating in the river, Montag suddenly realizes the change that has taken place: He was moving from an unreality that was frightening into a reality that was unreal because it was new.
The stage imagery implies that Montag actually realized that he was merely acting for a long period of his life, and that he is now entering into an entirely new stage of life. Montag emerges from the river transformed. Now in the country, his first tangible sensation — "the dry smell of hay blowing from some distant field" — stirs strong melancholic emotions.
Though Montag may be a man who has trouble articulating his feelings, one learns that he is a man of deep emotions. The entire episode of him leaving the river and entering the countryside is evocative of a spiritual transformation. He has sad thoughts of Millie, who is somewhere back in the city, and has a sensuous fantasy of Clarisse; both of which are now associated with the city and a life that he no longer lives, to which he can never return.
Whereas the city was metaphorically associated with a stifling and oppressive technology, the countryside is a place of unbounded possibility, which at first terrifies Montag: The forest into which he stumbles is rampant with life; he imagines "a billion leaves on the land" and is overcome by the natural odors that confront him.
To underscore the strangeness of this new environment, Bradbury makes Montag stumble across a railroad track that had, for Montag, "a familiarity. Because he is most familiar and comfortable with something associated with urban life the railroad tracksMontag remembers that Faber told him to follow them — "the single familiar thing, the magic charm he might need a little while, to touch, to feel beneath his feet" — as he moves on.
When he sees the fire in the distance, the reader sees the profound change that Montag has undergone. Montag sees the fire as "strange," because "It was burning, it was warming. Curiously, Granger was expecting Montag, and when he offers him "a small bottle of colorless fluid," Montag takes his final step toward transformation.
Not only is Montag garbed in clothes that are not his, but the chemical that Granger offers him changes his perspiration. Literally, Montag becomes a different man.
When Montag expresses his prior knowledge of the Book of Ecclesiastes, Granger is happy to tell Montag of his new purpose in life: Montag will become that book. Not only does Montag learn the value of a book, but he also learns that he can "become the book. He begins gaining an understanding of the fire of spirit, life, and immortality, as well as forgetting the fire that destroys. Notice that when the campfire is no longer necessary, every man lends a hand to help put it out.
This action is further proof of the things that Granger has been telling Montag: Group effort is necessary if a positive goal is ever to be reached. When the commune moves south due to the war threatMontag associates Millie with the city, but he admits to Granger that, strangely, he doesn't "feel much of anything" for her.
That part of his life, as well as everything relating to the city, seems distant and unreal. He feels sorry for her because he intuitively knows that she will probably be killed in the war. He is also ashamed, because in all their years together, he was able to offer her nothing. As the city is destroyed "as quick as the whisper of a scythe the war was finished"Montag's thoughts return to Millie. He imagines how the last moments of her life must have been. He pictures her looking at her wall television set.
Montag leaves the river in the countryside, where he meets the exiled drifters, led by a man named Granger. The drifters are all former intellectuals. They have each memorized books should the day arrive that society comes to an end and is forced to rebuild itself anew, with the survivors learning to embrace the literature of the past.
Granger asks Montag what he has to contribute to the group and Montag finds that he had partially memorized the Book of Ecclesiastes. While learning the philosophy of the exiles, Montag and the group watch helplessly as bombers fly overhead and annihilate the city with nuclear weapons: While Faber would have left on the early bus, everyone else including Mildred is immediately killed.
Montag and the group are injured and dirtied, but manage to survive the shockwave. The following morning, Granger teaches Montag and the others about the legendary phoenix and its endless cycle of long life, death in flames, and rebirth. He adds that the phoenix must have some relationship to mankind, which constantly repeats its mistakes, but explains that man has something the phoenix does not: Granger then muses that a large factory of mirrors should be built so that people can take a long look at themselves and reflect on their lives.
When the meal is over, the exiles return to the city to rebuild society. Characters[ edit ] Guy Montag is the protagonist and a fireman who presents the dystopian world in which he lives first through the eyes of a worker loyal to it, then as a man in conflict about it, and eventually as someone resolved to be free of it. Through most of the book, Montag lacks knowledge and believes only what he hears. Clarisse McClellan is a young girl one month short of her 17th birthday who is Montag's neighbor.
She walks with Montag on his trips home from work. She is unpopular among peers and disliked by teachers for asking "why" instead of "how" and focusing on nature rather than on technology. A few days after her first meeting with Montag, she disappears without any explanation; Mildred tells Montag and Captain Beatty confirms that Clarisse was hit by a speeding car and that her family moved away following her death.
In the afterword of a later edition, Bradbury notes that the film adaptation changed the ending so that Clarisse who, in the film, is now a year-old schoolteacher who was fired for being unorthodox was living with the exiles. Bradbury, far from being displeased by this, was so happy with the new ending that he wrote it into his later stage edition. Mildred "Millie" Montag is Guy Montag's wife.
Fahrenheit Important Quotes with Page Numbers | Ray Bradbury | Homework Online
She is addicted to sleeping pills, absorbed in the shallow dramas played on her "parlor walls" flat-panel televisionsand indifferent to the oppressive society around her. She is described in the book as "thin as a praying mantis from dieting, her hair burnt by chemicals to a brittle straw, and her flesh like white bacon.
After Montag scares her friends away by reading Dover Beach, and finding herself unable to live with someone who has been hoarding books, Mildred betrays Montag by reporting him to the firemen and abandoning him, and dies when the city is bombed. Captain Beatty is Montag's boss and the book's main antagonist.
Once an avid reader, he has come to hate books due to their unpleasant content and contradicting facts and opinions. After attempting to force Montag to burn his house, Montag kills him with a flamethrower, only to later realize that Beatty had given him the flamethrower and goaded him on purpose so that Montag would kill him.
However, it is still unclear whether or not Beatty was ever on Montag's side, or if he was just suicidal. In a scene written years later by Bradbury for the Fahrenheit play, Beatty invites Montag to his house where he shows him walls of books left to molder on their shelves. Stoneman and Black are Montag's coworkers at the firehouse. They do not have a large impact on the story and function only to show the reader the contrast between the firemen who obediently do as they are told and someone like Montag, who formerly took pride in his job but subsequently realizes how damaging it is to society.
Black is later framed by Montag for possessing books. Faber is a former English professor. He has spent years regretting that he did not defend books when he saw the moves to ban them. Montag turns to him for guidance, remembering him from a chance meeting in a park sometime earlier. Faber at first refuses to help Montag, and later realizes Montag is only trying to learn about books, not destroy them.
He secretly communicates with Montag through an electronic ear-piece and helps Montag escape the city, then gets on a bus to St. Louis and escapes the city himself before it is bombed. Bradbury notes in his afterword that Faber is part of the name of a German manufacturer of pencils, Faber-Castell.
Ann Bowles and Mrs. Clara Phelps are Mildred's friends and representative of the anti-intellectual, hedonistic mainstream society presented in the novel. During a social visit to Montag's house, they brag about ignoring the bad things in their lives and have a cavalier attitude towards the upcoming war, their husbands, their children, and politics.
Phelps' husband Pete was called in to fight in the upcoming war and believes that he'll be back in a week because of how quick the war will be and thinks having children serves no purpose other than to ruin lives. Bowles is a thrice-married single mother.
Her first husband divorced her, her second died in a jet accident, and her third committed suicide by shooting himself in the head. She has two children who do not like or respect her due to her permissive, often negligent and abusive parenting; Mrs. Bowles brags that her kids beat her up, and she's glad she can hit back. When Montag reads Dover Beach to them, he strikes a chord in Mrs.
Phelps, who starts crying over how hollow her life is. Bowles chastises Montag for reading "silly awful hurting words". Granger is the leader of a group of wandering intellectual exiles who memorize books in order to preserve their contents. Title[ edit ] The title page of the book explains the title as follows: Fahrenheit —The temperature at which book paper catches fire and burns After graduating from high school, Bradbury's family could not afford for him to attend college so Bradbury began spending time at the Los Angeles Public Library where he essentially educated himself.
Wellsbecause, at the time, they were not deemed literary enough. Between this and learning about the destruction of the Library of Alexandria a great impression was made on the young man about the vulnerability of books to censure and destruction.
Later, as a teenager, Bradbury was horrified by the Nazi book burnings  and later by Joseph Stalin 's campaign of political repression, the " Great Purge ", in which writers and poets, among many others, were arrested and often executed. Shortly after the atomic bombings of Hiroshima and Nagasaki at the conclusion of World War IIthe United States focused its concern on the Soviet atomic bomb project and the expansion of communism.
The House Un-American Activities Committee HUACformed in to investigate American citizens and organizations suspected of having communist ties, held hearings in to investigate alleged communist influence in Hollywood movie-making. These hearings resulted in the blacklisting of the so-called " Hollywood Ten ",  a group of influential screenwriters and directors.
This governmental interference in the affairs of artists and creative types greatly angered Bradbury. The rise of Senator Joseph McCarthy 's hearings hostile to accused communistsbeginning indeepened Bradbury's contempt for government overreach. By aboutthe Cold War was in full swing, and the American public's fear of nuclear warfare and communist influence was at a feverish level.