An analysis of the Sitcom, Will and Grace. - University Media Studies - Marked by miyagi-marugoto2012.info
Sep 27, Pinckney watched for gay relationships the way his “grandmother used to count But then again, Will & Grace was not a show about gay love. Sep 29, NBC's farcical sitcom Will & Grace debuted in , at a time when gay . my first exposure to popular culture that took that relationship really. Grace Elizabeth Adler is an interior designer living in New York City with her Eric McCormack says that Will and Grace have "that relationship that you envy.".
She once mentions selling Will's college term papers for a profit, of which Will had no knowledge. In the 10th season episode "Grace's Secret", Grace reveals that she was sexually assaulted at age 15 by her father's best friend, Harry.
They met at a college party at Columbia University. Through the third-season episode "Lows in the Mid-Eighties," we see they began dating and Grace did not realize that Will was gay at the time, and Will had not come out of the closet yet. Will "proposed" to Grace during Thanksgiving, in an effort to postpone actually having sex with her. When he finally came out to her hours later, Grace was so angry with him that she didn't speak to him for a year. They ran into each other at a grocery store a year later and made up, and became inseparable best friends.
Grace moves into Will's apartment in season one when she breaks up with her fiance Danny. Her closeness to Will is a running joke throughout the series; many other characters refer to them as a married couple. They can finish each other's sentences, which helps them in their fast rounds in trivia and parlor games. They can also be quite dysfunctional and co-dependent, sometimes even requiring the other's approval of clothing and boyfriends. When Will begins dating his future husband Vince D'Angelo Bobby Cannavale in season 6, Will is nervous about Grace's opinion of him, noting that he has ended relationships because Grace disliked one detail about them one example given is that all Grace had to say about one such boyfriend was "mock turtleneck," and the relationship was ruined.
Aside from Will, Grace also has a close relationship with her assistant, Karen Walkera rich, alcoholic socialite who does virtually no work. Karen is nevertheless useful to Grace, as she pays for her employer's health insurance, gives Grace holiday bonuses, and occasionally uses her society connections to help Grace get work.
Otherwise, Karen spends her "work" hours drinking and belittling Grace.
An analysis of the Sitcom, Will and Grace.
Karen routinely criticizes Grace's choices in fashion usually by disdainfully asking, "Honey, what's this all about? Karen doesn't exactly withhold her judgments; in one episode, when Will calls Grace at work and Karen answers, she puts him on hold and says "Grace, the reason you're not in a relationship is on line one.
Grace eventually learns to look past Karen's faults, and Karen occasionally does stop ridiculing her to reveal a softer, more caring side. In another instance, Karen turns down Grace's proposal for a business loan to protect Grace, who didn't really have a strong business plan.
Grace also has a close bond with Will's other best friend, Jack McFarland. Early in the series, Jack and Grace dislike each other, seeing each other as a rival for Will's affections. However, after they spend time together while Will is in the Cayman Islands between Seasons two and three, they develop a closer friendship. They still antagonize one another, however, often leading to Grace striking Jack in some manner. Contrary to popular belief, though, it isn't about homosexuality.
Instead, the show is really about understanding and being able to value and appreciate one of life's greatest gifts: While the show's premise is supposed to be about two best friends, Will and Grace, one who happens to be heterosexual and one who is not, the plot really continues a formulaic sitcom standard: Will the odd-couple pairing eventually be consummated romantically?
Granted, the setup of having Grace's life revolve around finding the perfect man doesn't exactly flatter women either. The show focuses on her relationships and sexual encounters and rarely crosses the "comfort line" that people may have had by delving into Will's relationships and sex life.
People are OK with a woman having a "gay best friend" as long as they don't have to hear too much about his personal or sex life.
It is especially palatable if he is upper-class, white, uptight, and not acting in "gay" behavior that makes people uncomfortable. Grace has several lovers on the show, portrayed by actors such as Harry Connick Jr. The center of comic relief is usually Jack, Will's close friend. He's out and proud, but he's so over-the-top that he's also fairly nonthreatening. Everything about his one-dimensional character is designed to set up the laughs.
Compare this to the gay character Oscar Martinez on The Office. Both are witty and sarcastic, yet Oscar's character is not a caricature and is not written to be the campy butt of jokes. He is intelligent and a bit of a dork -- and he is a blue-collar Latino. Jack's campy, flamboyant, theater-loving, loudmouth personality serves another purpose: By contrasting with Will's already "pass-for-straight" demeanor, it makes Will an even safer, easier-to-digest representation of a gay man.
This is in line with the new asexual-but-"masculine" image of gays presented in the media, an image that doesn't challenge mainstream society's heteronormativity. Will has restraint and a brain; Jack is promiscuous and flighty.
The two choices presented are: Are you a "Will" or a "Jack" type of gay? There are more gay characters on television now. However, now a question remains: Is the sheer quantity of gay characters on television somehow more important than the quality of those representations? Critics were initially dismissive of the show, some calling it a "gay Seinfeld" and others doubting that a show devoid of romantic chemistry between the female and male leads could possibly last.
Critics were incorrect, however, as the show went on to run a total of eight seasons. It also received 83 Emmy nominations and 16 Emmy Awards. Part of the show's success was the fact that it is, in part, simply a gay Seinfeld.
Yet homosexuality is not the central theme of the show. While the two main leads are a gay man and his straight female friend, the show is not simply about being gay. Instead, it happens to have gay characters among its cast. This paved the way for shows that introduced gay issues and gay characters.
Will & Grace : The TV Series That Changed America | HuffPost
Essentially, this lack of overall emphasis on being gay made homosexuality less of a loaded issue and pushed it toward the background.
It also served as a demonstration that the concerns of the gay community -- friends and family -- are the same as the concerns of the straight community. Ellen's coming-out episode garnered a huge amount of positive response from viewers, but the show was cancelled soon thereafter. When Ellen Morgan first came out on the hit show Ellen, criticism was so intense that Ellen reported being followed in her car by strange men, and the show's executives were screening calls from angry viewers.
Today it appears that it has become far more acceptable to show gay characters on television and to avoid making homosexuality the emphasis of the show itself. Even when homosexuality is highly featured within the show, the show is still able to move away from it to cover other topics. In all these programs there are gay main characters, but their homosexuality is rarely explored as a theme.
The show gets a lot of mileage out of humor that involves the gay couple within the show, but at the same time it has been welcomed by the viewing community and has consistently achieved high ratings.
It has been criticized at times for not showing any physical chemistry between the two gay leads, but it has also won many awards, including 17 Emmy nominations. Series are now able to have lead characters who are gay without emphasizing it. This sends the message that being gay is as normal as any other random character trait, such as red hair or following a certain religion.
All three of these shows gained widespread acceptance and achieved commercial success. Queer Eye for the Straight Guy was an excellent example of a show that presented to the straight public a point of view of the gay community that had previously been unexplored by the straight community.
On the program gay men do a complete makeover of a straight -- and typically macho -- man. While it is not a perfect representation of the gay community, it still went a long way in communicating the fact that the gay community is not a threat and never will be a threat to the lifestyles of the straight community. Queer Eye for the Straight Guy attracted some criticism due to the fact that it was rooted in stereotypes, but it was nevertheless extremely popular.
Six Feet Under was a unique series in that two of the characters are gay and their relationship is heavily featured despite central themes that deal with other topics. The gay relationship is given no more or less weight than any other relationship within the show, and it is framed in much the same way.
Six Feet Under proved to be an extremely popular show, and it was not crippled or held back significantly by the gay content.